
All works are:
Ink, watercolour and pencil on watercolour paper
29.7 x 42.0 cm, 2019, £POA
This series of drawings examine the roundness of touch along the curvatures of the female form. Isolated breasts drawn as if an impression is made on paper by an act of touch. Similarly, single breasts and convex of the underarm, hoovering loosely on the paper suggesting a presence of touch. These drawings are like imprints. Fossilized imprints made of the female body through momentary contact.

All works are:
Ink, watercolour and pencil on watercolour paper
29.7 x 42.0 cm, 2019, £POA









